May 14, 2008

Review: 'Indiana Jones: Adventure Collection'

Indiana_jones_harrison_ford"Indiana Jones: The Adventure Collection" won't be much of a thrill ride for owners of Paramount's previous "Raiders" DVD box set.

Audio and video appear identical to the presentations on the highly regarded "The Adventures of Indiana Jones: The Complete DVD Movie Collection." Even the menus are the same.

The attractions here are the new extras, which are decent but don't add a great deal to what was revealed over three-plus hours on the supplemental disc from the 2003 Indiana Jones DVD set.

Still, "Indiana Jones: The Adventure Collection" features new introductions to each film by George Lucas and Steven Spielberg, which should please any fan of the series. And a couple of worthwhile featurettes, notably ones covering the series' head-spinning array of far-off locations and that gnarly melting-face trick.

Basically, the new Indy set works for people who don't have the old set, don't care much about the mother lode of extras from '03 and aren't planning to get into high definition anytime soon. Or those who are obsessive about shelf space, since the new box is less than half that of the old.

To be fair, let's look at some recent history: January's collapse of the HD DVD format probably took some of the snap out of this promotional campaign, timed of course to the release of the fourth Indiana Jones movie. As HD DVD backer Paramount retools for Blu-ray, we're left with no high definition versions of the original three "Raiders" movies -- which would have come out right about now in the natural order of things. So it's back to DVDs.

Once again, the video and audio get off to a so-so start. "Raiders" (1981) looks OK, but it's a product of its time -- at least there are few visible signs of wear and images are reasonably clear. (The images do respond to upconversion, at least on my Blu-ray.) But it isn't until "Temple of Doom" (1984) that the high quality of these DVDs begins to emerge.

"Doom" is inevitably called "the darkest" Indy film, but from frame 1 it employs a robust color palette in telling its tale of slavery and black magic. The DVD delivers the goods, with rich blood reds and working-in-the-coal-mine blacks.

Last_crusade_dvd_image"Last Crusade" (1989) looks like a new film, with sensational, crystal-clear images.

All three movies are presented in widescreen (2.35:1) with the 16x9 enhancement.

Dialogue and music come across clearly on "Raiders," but its surround effects tend to muddy up and distract from the action. "Doom's" audio works better, with clear and discrete surround. "Crusade" sounds as if it were recorded yesterday. All of the films are in Dolby Digital (5.1).

Audio and video carry the THX endorsement, naturally.

The Lucas-Spielberg introductions run roughly 7 minutes each. The men are filmed separately. This time out, the old friends take a harder line on the disappointing "Temple of Doom," basically admitting it was a dog.

"The reviews were awful," director Spielberg says. "I like (the others) better," Lucas adds.

Kate Capshaw, who took a Yoko Ono-like beating over her "Temple of Doom" work, appears in another extra with the other two "Indy Women," saying her character was "not very appealing" as written. "It was a stereotype, this woman."

Raiders_lost_ark_dvd_2On one intro, Spielberg says, "I wanted to make a globe-trotting movie like James Bond." He succeeded wildly, based on the evidence presented in a cool 10-minute short with with producer Robert Watts, a locations specialist. Watts rattles off what was filmed in which exotic place and why, with pop-up text piling on information.

Another ace extra deconstructs "The Melting Face!" from "Raiders." Effects explorer Chris Walas tells how he made the Nazi creep's head ooze down onto his uniform. Meanwhile, on video, movie creature specialists re-create the gag step by step. After the melting face proved to be a gross-out sensation, Walas says, pros repeatedly asked him to explain the process. "Suddenly, everybody wanted to melt a head somewhere."

The rest of the extras are pretty standard, storyboards and more shorts.

The DVD set attends to its promo chores, with the same trailer for "Indiana Jones and the Kingdom of the Crystal Skull" marching in front of each DVD. "An appreciation" of the "Raiders" movies turns out to be just the "Crystal Skull" gang looking back on the series. A Lego game demo appears on each disc as well.

The DVDs also are available separately.

May 07, 2008

Criterion Collection sets Blu-ray editions

Man_who_fell_to_earth_image

The Criterion Collection is going Blu-ray.

The big news, long-awaited by high-definition buffs, came in a company bulletin late this afternoon.

Criterion lists these dozen titles as "in the pipeline," with the rollout set to begin in October.

  • The Third Man
  • Bottle Rocket
  • Chungking Express
  • The Man Who Fell to Earth
  • El Norte
  • The 400 Blows
  • Gimme Shelter
  • The Complete Monterey Pop
  • Contempt
  • Walkabout
  • For All Mankind
  • The Wages of Fear

I count three black-and-white titles, which should be interesting. The studios have only released a couple of B&W titles.

"These new editions will feature glorious high-definition picture and sound, all the supplemental content of the DVD releases, and they will be priced to match our standard-def editions," Criterion said.

"The Last Emperor" also is coming in a (cheaper) stand-alone theatrical version on Blu-ray and DVD. "Walkabout" updates an older Criterion title. The Nicholas Roeg film gets new extra features and a new transfer. An updated DVD will be updated at the same time.

Terrific list and a thoughtful mix. I'm especially interested in Blu-rays of "The Man Who Fell to Earth," "The Wages of Fear," "Chungking Express" and "Contempt."

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New DVDs: 'Delirious,' 'First Sunday'

Delirious_stars Steve Buscemi and Michael Pitt

"Delirious" looks under a few rocks and unearths a "contemporary fable" ... a sort of "fairy tale."

The second coming of director Tom DiCillo and star Steve Buscemi concerns the slithery lives of paparazzi in Manhattan. The indie movie, predictably, failed to develop much of anything at the boxoffice, but it's good and contains a few terrific performances. Here's hoping "Delirious" finds its audience on DVD.

Having worked in the Hollywood trades for a couple of decades, I got to know a bunch of celebrity photographers -- the guys who hang out on the red carpets, jostling for Jolie. For the most part, they're cool, especially my pal Alex Berliner.

Alison_lohman_in_deliriousOne big step down on the evolutionary scale are the paparazzi, who flood our corner Starbucks when local attraction Britney Spears stops by for her cappuccino. The ambush photographers are surprisingly young, often still learning English. Their flashes go off like a collective lightning storm. Spooky shit when you're caught up in it.

DiCillo, being a borderline celeb, got into a fight with a paparazzo and then decided to write a film about the lifestyle. "They're the lowest rung of the celebrity game," DiCillo says on his DVD commentary between sips of scotch. "Everyone despises them."

Buscemi, who grabbed indie fame in the director's "Living in Oblivion," didn't want the role as a loser photographer, even though it was written for him. "The guy just seemed a little too creepy for me," Buscemi said. (The actor went on to direct himself in "Interview," a far less interesting film about celebrity journalism.)

Buscemi took the "Delirious" part after a rewrite somewhat humanized Les, the "troll" of our fable.

"He's a lot like Don Knotts on acid," the director says of the photographer. Les encounters a homeless young man, Toby (Michael Pitt), kindly letting the handsome kid crash in his closet and work for no pay.

The fable's princess is K'Harma (Alison Lohman), a pop star with some talent and heart. "People used to be famous for actual things," DiCillo muses. "The fixation on fame is ever bigger but the actual (creative) act has become incidental."

Boy meets girl, creep gets pissed, the celebrity mill does its thing. "Delirious" gets a bit wobbly by act 3, but by then it's built up more than enough goodwill to earn a pass.

Steve Buscemi and Michael Pitt in DeliriousThis is one of Buscemi's best performances, at least that I've seen. Young Pitt, who played one of the "Dreamers" for Bertolucci, is doubly believable as a bum and a star. Nice job. Lohman and Gina Gershon mix class with humanity. Elvis Costello, for purposes of the movie a prime paparazzi target, plays himself. (EC fans will have fun with the inside jokes about his music. Extra credit: Look for the glasses pose.)

Genius Entertainment has released "Delirious" in a surprisingly good-looking DVD. (The movie was made on the cheap, with hand-held cameras working the streets of Manhattan.) Audio is OK with clear dialogue and a thump for the music.

Extras include a cleverly stylized conversation between director and star as they walk the streets, followed by slinky paparazzi. There's a music video with Lohman, great for fans of the leggy and tacky.

* * *

Ice Cube doesn't get enough credit as a comedic actor, nor does he seem to get the parts he deserves out of Hollywood. Regardless, his production company cranks out some good stuff, such as the minor classics "Friday" and "Barbershop." When that Cube Vision logo pops up, guilty pleasures always follow.

First-time film director David E. Talbert, a big name in urban theater, is a big fan of Cube Vision as well. "Between Ice Cube and (producer) Matt Alvarez, they've taken more black directors to the promised land than you can imagine," he says on the DVD commentary for "First Sunday."

Ice_cube_first_sundayThe movie, about a church robbery, teams Cube with Tracy Morgan of "SNL" fame. They're a hoot together, with stone-faced Cube anchoring the manic Morgan. "Cube is the quintessential straight man," Talbert says. "The straighter the straight man, the funnier the funny man."

The "First Sunday" story is pure formula, with Cube losing his job and having to come up with 17 large in order to keep his son's mother from moving away with the boy. His hapless partner figures a storefront black church is the place to grab the cash.

There they encounter Katt Williams as a twitchy choir master, who delivers one of the best gospel scenes since James Brown rolled the Blues Brothers. The reluctant criminals take the church regulars hostage, at which point "First Sunday" turns into a play, talkie and ultimately sentimental. The movie sags a bit but gets it together for the feel-good part you know is coming.

Talbert's solo DVD commentary is not to be missed. He's relaxed and spends time on some basic filmmaking problems, tricks and and techniques. Talbert says he was careful about the images he projected of the inner city, including the scenes that emphasized how the Cube character spent time daily with his son.

Other extras include footage of the director's emotional wrap speech, straight from Roscoe's Chicken and Waffles. The deleted and extended scenes are well worth a look for fans of the movie, especially the extended massage scene. Nice briefs, man. There's also a trivia track and a quickie making-of.

Sony's single-disc release of "First Sunday" looks and sounds fine, as you'd expect. The movie also is available on Blu-ray.

Also circling the DVD blog's players this week are "Hiya, Kids!! A '50s Saturday Morning" collection from Shout! Factory; "I'm Not There" with the dueling Dylans; the "Twister" Blu-ray; and Magnolia's latest fine set of Oscar-nominated shorts.

New and notable:

Bewitched, season 6 (Paramount)
The Bridges of Madison County (Warner)
Dan Paris (Genius Products)
Delirious (Genius)
First Sunday (Sony)
The 4400: Final Season (Paramount)
Hiya, Kids!! A '50s Saturday Morning (Shout! Factory)
I'm Not There (Weinstein Co./Genius)
Macon County Line (Warner)
The Passion of Greg the Bunny: Best of Film Parodies 2 (Shout! Factory)
Saawariya (Sony)
Square Pegs: The Complete Series (Sony)
Teeth! (Weinstein/Genius)
Twister (Warner)
2007 Academy Award Nominated Short Films (Magnolia Home Entertainment)


Complete list of this week's releases on my pal Harley's site, onvideo.org

May 03, 2008

New DVDs: 'Intelligence' from Canada

Intelligence_actor ian_tracey in CBC TV series"Intelligence" is one smart series.

The Canadian production usually is compared with HBO's "The Sopranos" and "The Wire." While we're invoking cool premium cable shows, I'd add "Six Feet Under" and "Weeds" from rival Showtime as matches on the domestic drama side.

The series ran on CBC for two seasons, beginning in 2006. Acorn Media has just released season 1 in a four-disc set, another winner for the TV-on-DVD import specialist.

"Intelligence" tracks the flow of inside information swirling about a web of Vancouver law officers and organized crime figures. The series does not make for relaxed viewing. The cast is fairly large and the plotlines implode and explode real quick like. You don't want to wander off for long without hitting the pause button.

Intelligence_actress klea_scott stars in DVDThere are two compelling figures at the center of "Intelligence": heroine Mary Spalding (Klea Scott), who runs the city's organized crime unit; and antihero Jimmy Reardon (Ian Tracey), a drug smuggler and money launderer who also fronts a waterway shipping operation. They're good people, mostly, playing out their roles in life.

Both of these characters have believable private lives that eat away at their professional time and energies. Spalding deals with a squirmy cheating husband while Reardon tries to keep his cokehead ex-wife from doing damage to their surprisingly wholesome tween daughter. It's not long before viewers start wondering where the empathy and chemistry between the two might lead.

Work is no bargain, either: our heroes are both betrayed, plotted against and abused by lowlifes on either side of the law. Then there are the Americans, sometimes portrayed as the smirky jerks that many Canadians expect to see slither up from south of the border. Anyone who's spent time in western or eastern Canada will recognize the 'tude.

The series creator is Chris Haddock of "Di Vinci's Inquest"; there is a bit of overlap between the series. "I wanted to make a true, adult series about the city I knew," the Vancouver native has said.

The production budget undoubtedly wasn't on par with the big U.S. network cop shows, so some allowances are called for in the series' look, sound and minor-player acting. Not necessarily a bad thing.

The 2.0 audio is an annoyance on this DVD set, as with some other Acorn Media DVDs I've otherwise enjoyed. Dialogue can be muddy, especially when the bald creepy investigator starts talking. There are no subtitles, but Acorn once advised me to use the closed captioning.

The video is OK if you don't get too close. Extras are routine and include a profile of show creator Haddock.

Also circling the DVD blog's players this week: "The Fall of the Roman Empire" (read the DVD review); the third installment of "Young Indiana Jones"; and the three classy children's releases from Janus/Criterion: "The Red Balloon," "Paddle to the Sea" and "White Mane."

New and notable:
The Adventures of Young Indiana Jones: Volume 3 (Paramount)
Beverly Hills 90212: The Fourth Season (Paramount)
The Big Gay Sketch Show, season 2 (Paramount)
Cheers -- The Complete Ninth Season (Paramount)
The Classic Caballeros Collection (Disney)
Dark Shadows: The Beginning, Vol. 4 (MPI Home Video)
Diamond Dogs (with digital copy, Sony)
Diving Bell and the Butterfly (Miramax)
The Fall of the Roman Empire (The Miriam Collection/Weinstein Co./Genius)
First Knight (Sony)
The Golden Compass (Sony, also Blu-ray)
Hero Wanted (Sony)
How She Move (Paramount)
Intelligence (Acorn Media)
Paddle to the Sea (Janus Films)
The Red Balloon (Janus Films)
White Mane (Janus Films)
27 Dresses (Fox, also BR)
The Waltons, season 7 (Warner)

Complete list of this week's releases on my pal Harley's site, onvideo.org

April 30, 2008

DVD review: 'The Fall of the Roman Empire'

Fall_of_roman_empire_image

After 1961's "El Cid," noted crank Charlton Heston wanted nothing more to do with Sophia Loren. So when producer Samuel Bronston came calling again for "The Fall of the Roman Empire," the actor rejected him, despite the box office riches that flowed from "El Cid."

For "The Fall of the Roman Empire," Bronston and Co. turned to Irish actor Stephen Boyd, who'd supported Heston in "Ben-Hur," earning an Oscar nomination. Boyd had just missed out playing Marc Antony in 1963's "Cleopatra." "He'll look great on a horse," they figured.

But Boyd was no Heston, unfortunately, and "The Fall of the Roman Empire" proved to be no "El Cid."

"Roman Empire" bombed, despite its wondrous re-creation of ancient Rome. The three-hour flop with the biggest budget in film history brought an end to Bronston's moviemaking adventures in Spain.

The Weinstein Company, which did a fine job with the "El Cid" DVD set earlier this year, returns with another outstanding Bronston video using basically the same format. While "The Fall of the Roman Empire" disappoints on many levels, this DVD presentation does not. Fans of the "El Cid" set will want this one as well.

Battle scene from Fall of the Roman Empire DVD"The Fall of the Roman Empire" movie has its moments, no doubt, starting with the magnificent scenes shot in its to-scale version of the Forum, built on the plains outside Madrid.

Stars Boyd and Loren suffer from zero chemistry, but the second tier of international film stars come through. Bronston thought big in casting, too: Many of the supporting actors could have opened a movie in those days. Stealing the show were old pro Alec Guinness and newcomer Christopher Plummer.

Guinness played the ruler Marcus Aurelius, a visionary emperor dedicated to furthering Pax Romana (Roman peace). It's a goody-goody role that Guinness complained about, but he sells it like free togas and carries the talky first act.

Plummer, then a TV actor, played the emperor's nasty but charming son Commodus, who ascends to the throne upon the old man's murder. Plummer plays the youthful despot like a cross between the seductive snake in "The Jungle Book" and Mr. Rogers. Eerie and entertaining every second Plummer's on stage.

Marcus Aurelius and Commodus were real Romans, of course, as was Aurelius' daughter, played by Loren. Our hero Livius (Boyd) was a creation of the script. The true and bogus are all sorted out for us in the extras, by the same gang of biographers, witnesses and historians who worked the "El Cid" DVD extras.

The historians have two extra features in which to point out the film's inaccuracies and fabrications, taking the attitude that, hey, it's a movie not a classroom lesson. Those lessons can be found on disc 3, which features educational shorts made on the "Roman Empire" sets by the Encyclopedia Britanica company.

Bronston and the reference giant saw it as win-win -- instant academic credibility for the epic in exchange for the opportunity to make educational films in the Roman Forum replica. These awkward but pleasing shorts will bring back some memories for kids of the era. (This being the '60s, it appeared that everyone in Rome was kind of chubby, even the poor.)

Forum_burns_at end of fall_of_roman_empireThe "Roman Empire" making-of feature benefits from crisp color footage of the production. The docu centers on the re-creation of the Forum, stressing the film's incredible attention to detail in costuming and production design. Buildings were finished inside and out, front and back, even if they weren't utilized. Some of this over-the-top dedication came from shady execs making busy work in order to fuel the production's gravy train.

"In this era of computer-generated images ... I think it is impossible to fully appreciate the colossal, almost unfathomable size of ambition of 'The Fall of the Roman Empire' set," one Bronston biographer says.

The docu continues into the fall of the Bronston empire, recycling footage from the "El Cid" extras.

"Roman Empire's" 2.35:1 widescreen images look good overall, but there are problems with contrasts going both ways. In some scenes, facial detail looks wiped out by the hard contrast, with the actors' eyes and teeth creepy chalk white. In other scenes, the backgrounds appear soft and mushy.

The 5.1 audio mix sounds superior, with aggressive front-centered separation that sometimes recalls the ping-pong days of 1960s stereo experimentation.

The bracing horn-heavy score comes from Dimitri Tiomkin, who merits a DVD docu similar to the for Miklos Rozsa on "El Cid." People who know their film music consider this one of Tiomkin's best works, but I found it repetitive and occasionally headache-inducing.

The DVD commentary comes from Bronston's son, Bill, a friend of this DVD blog, and the Samuel Bronston biographer Mel Martin. Bronston explains that the missing footage found a few months back came too late for this edition. (DVD Spin Doctor broke that story, BTW.)

The "Limited Collector's Edition" includes a reproduction of the booklet sold to theatrical audiences as well as some postcards. The educational shorts are exclusive to this edition, on a third disc. The standard edition of "Fall of the Roman Empire" has the two discs that matter and saves you $10.

Still to come from the Weinsteins' Bronston series: "55 Days at Peking" and "Circus World."

April 28, 2008

'How the West Was Won' DVD in big upgrade

How_the_west_was_won_poster"How the West Was Won" looks to finally strike gold Aug. 26 with a major DVD and Blu-ray release.

Warner Home Video plans two-disc "ultimate," "special" and high-definition editions of the restored epic, which has suffered so far in the DVD format.

Being a child of the '60s, I remember turning out for a screening of "West Was Won" at the trusty Wometco in Fort Lauderdale, Fla. They rolled out two additional (side) screens for the Cinerama presentation, which had everyone buzzing before the film even began, but it all seemed kind of disjointed once the movie started.

Warner has an explanation: "After its initial theatrical engagements in theaters equipped with three synchronized projectors for Cinerama presentation, the film was subsequently presented on traditional theater screens with the three separate Cinerama panels being optically joined to form a standard 35mm 2.35:1 widescreen image, leaving most subsequent viewers puzzled by the annoying 'join lines.' "

The join lines are gone, of course, with the new DVD and Blu-Ray images at 2.89 widescreen.

"How the West Was Won," clocking in at 165 minutes, tells the tale of two families who head west for fortune and adventure in 1839. The saga continues over 50 years. The film won a couple of Oscars but didn't take the best picture nod. The film has its fans but I'm not one of them. It's just OK.

West_was_wonposterThe movie was made about the time that Hollywood figured that if one or two stars could sell a movies, how about a dozen or more. And so we have a cast that includes John Wayne, Henry Fonda, James Stewart, Debbie Reynolds, Richard Widmark, Gregory Peck, Lee J. Cobb, Carroll Baker, Robert Preston, Karl Malden, Carolyn Jones, Eli Wallach. ... Some of them just passing through, like the Duke -- and a few, like Reynolds, going the distance.

There were multiple directors as well: Henry Hathaway, John Ford and George Marshall. Hathaway did the heavy lifting.

There are three DVD versions already out there, all of them essentially the same and to be avoided for quality reasons. The latest (2007) is tagged as part of Warner's "John Wayne Collection," oddly.

Warner's brand-new Blu-ray version of the film also contains a "SmileBox" presentation "with a unique curvature that virtually recreates the true Cinerama experience in a home theater." (Good luck with that.) The ultimate set adds printed materials such as a press book and postcards.

Warner lists "How the West Was Won" extras as:

  • "Film historian commentary"
  • The feature-length documentary "Cinerama Adventure."
  • An archival making-of featurette
  • The original trailer

A quartet of Errol Flynn westerns also are getting the Warner box set treatment, with vintage newsreels, cartoons and a couple of commentaries:

  • "Montana" (1950)
  • Rocky Mountain (1950)
  • "San Antonio" (1945)
  • "Virginia City" (1940)

Warner also said it was debuting six other westerns on DVD, two of them apparently home video premieres*:

  • "Escape from Fort Bravo" (1954) with William Holden
  • "Many Rivers to Cross" (1955) with Robert Taylor*
  • "Cimarron" (1960 remake) with Glenn Ford
  • "The Law and Jake Wade" (1958) directed by John Sturges
  • "Saddle the Wind" (1958) with Robert Taylor written by Rod Serling*
  • "The Stalking Moon" (1968) with Gregory Peck and Eva Marie Saint.

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